Gibson Serial Numbers

About Guitars Buying a new guitar is a considerable investment for most of us. An instrument is all about inspiration. You are the musician and the guitar is the tool you use to express your feelings and music. This has nothing to do with what models you choose or how much they cost. Some basic knowledge about the different wood types, neck and body profiles, pickups etc will help you in making the best choice. However, over the last decade or so, the MIMs has gotten a considerable face lift and the overall quality is very high.

PRS Dating & Serial Numbers

Don’t let anyone try to convince you that there is a Strat Plus, they just did not exist. It was owned by a former Fender employee who recently passed away. The strings, I am certain, were the original from 87, as they were rusty and hard to pull through the nut. I have owned ‘s of Strat Plus’, as well as helping s of people to identify their guitars.

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Above, the Presto Model A, their top-of-the-line system circa There is a detailed history of the Presto Corp provided at this website, so no need to re-tread those waters. Basically, what Presto offered was a way to make good-sounding LP and 78 recordings that could be played back instantly on any home turntable. Unlike earlier commercial recording technologies, there was no intermediate submaster required.

Presto was able to do this by having designed an aluminum later, glass disc that was coated with a special cellulose-based compound featuring 51 ingredients! At right, the Presto A Electronics package.

Potentiometer Codes On Gibson Bass Guitars

Here it is in “Iced Tea. With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s.

Some flattop guitars of this era started to omit the word “The” from the logo, reading simply “Gibson”. Looking to value a vintage or more modern Gibson guitar? Check out our price database of Gibson guitars dating from –

All numbers were impressed into the wood and a six digit number assigned, though no particular order was given and some instruments had a letter prefix. The orange labels inside hollow bodied instruments was discontinued in and were replaced by white and orange rectangle labels on the acoustics, and small black, purple and white rectangle labels were placed on electric models. A few bolt on neck instruments had a date ink stamped on the heel area. In , Gibson first introduced the serialization method that is in practice today.

This updated system utilizes an impressed eight digit numbering scheme that covers both serializing and dating functions. The pattern is as follows: The numbers show Kalamazoo production, show Nashville production. The Kalamazoo numbers were discontinued in Bozeman instruments began using designations and, in , Nashville instruments began using designations.

It should also be noted that the Nashville plant has not reached the s since , so these numbers have been reserved for prototypes. When the Nashville Gibson plant was opened in , it was decided that the bulk of the production of products would be run in the South; the Kalamazoo plant would produce the higher end fancier models in the North.

List of Gibson players

Serial number info Fender limited edition Telebration series Telecaster for sale. For Fender’s Telecaster 60th anniversary celebration Fender created 12 different models, one to be released each month in Greg’s Vintage Guitar sales Worldwide Check back often as we are rebuilding and repopulating our new mobile device friendly website with more vintage guitars for sale as well as parts,amps,speakers bass guitars and music memorabilia for sale at Greg’s Guitars.

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As the tag on this guitar might imply, this relative newcomer to the prestigious Gibson range takes a backwards glance to the golden era of acoustic guitar manufacture and bears a distinct yesteryear vibe in the process. The hand-applied nitrocellulose finish is perhaps not quite so shiny as some modern acrylics, but any lack of a mirror-like gleam only adds to the overall vintage vibe, in my opinion.

The shaping of the rosewood bridge is another nod to the past in that this particular design was only found on a few models dating from the period. So plenty to keep the purists happy down this end of the guitar, then! Back and sides are made from mahogany, its grain pattern all but lost underneath the darkish finish but from what I can see from holding the guitar body up to a strong light source, everything here appears to be in order and neatly finished.

The dovetailed neck is mahogany, too, and it looks like a one-piece affair with a rounded C to D profile. There, we find the older style Gibson logo amidst the unbound front face — very plain, but effective. There are a few modern touches in that the nut and bridge saddle are both made from Tusq as opposed to bone which would have almost certainly been used on the originals.

All this adds up to a guitar that is aimed straight at enthusiasts for the bygone age of Gibson acoustics.

1960’s Vintage Guitars

I often get asked, how old is my Fender guitar? Most of the time this question can’t be answered specifically. The Fender numbers tell the story of the company over the years. Unfortunately, the serial number placement is sporadic and many ID numbers over lap between years and models. In many instances, there is no exact known date for a specific guitar. That is why I decided to write this article.

The Gibson Serial Number Decoder currently supports 6 formats from 4 Factories. For guitars made prior to use the extended search function. This new function will try to match the serial number against older formats, details required for an exact match are listed in yellow.

And the fact Gibson strung its guitars with steel strings suggests it may have viewed them as an extension of the mandolin family rather than as an instrument with its own voice. But the Style O was something altogether different. The upper bass bout of the guitar extended into a scroll, as it did on the mandolin, but the design was refined from an artistic standpoint, such that the line from the scroll where the neck meets the body on the bass side continued on the opposite side of the fingerboard through the upper treble bout, which extended outward to a point.

The lower bout retained the typical Gibson circular shape of earlier models.. Not only was it radical in appearance, it was functionally very modernistic and innovative. In other respects, the Style O was a typical Gibson instrument. Although catalogs specified maple back and sides, the Style O, like all the other Gibsons of its period except the F-4 mandolin , was actually made of birch.

Like the L-4 and the earlier O-series guitars, the Style O had an oval soundhole the smaller models in the L-series had a round soundhole. The bridges were standard Gibson-style, starting with a non-height-adjustable ebony unit and switching to height-adjustable in The tailpieces, too, were standard Gibson for the period and changed with the bridge, from a trapeze-style with a crosspiece of tortoiseshell-grain celluloid and strings anchored in the crosspiece by pins similar to bridge pins , to a more modern trapeze with a metal crosspiece.

Early on, the finish was usually black on top with uniform red mahogany stain on the back and sides, becoming shaded mahogany finish in the late s. From a manufacturing point of view, the Style O had a more complex design than that of a guitar with a symmetrical body shape, and the carved top and back further complicated production.

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Gin Blossoms perform at Sport Rock Cafe. Courtesy of Tempe History Museum Besides offering a trip down memory lane, the showcase underscored the fact that live music in Tempe has weathered a lot of change over the years and will ultimately continue doing so. Such is certainly the case in the city, as newer additions like Shady Park and C.

Will the Tempe music scene ever ascend to the height of the Mill Avenue heyday again? Plus, that era left some pretty big shoes to fill. Local concert promoter Charlie Levy was involved in the scene and remembers its vibrancy and enormity, as well as the sheer number of great venues.

Another resource for IDing and dating guitars is Gibson’s computer database, which catalogues scores of serial numbers from on through the present. “It doesn’t always date the guitar,” says Davidson.

Purchase this downloadable software and start using it today. Flexible Financing We made it easier than ever for you to get the gear you need right away. Learn More Opens in new window Free Shipping Most orders qualify for free ground shipping to anywhere in the contiguous U. Learn More Opens in new window Ships Internationally This product qualifies for international shipping to over countries worldwide.

Learn More Opens in new window New Get this new product at the guaranteed lowest price. Learn More Opens in new window Top Rated This is a top-rated product according to our customer reviews. Learn More Opens in new window 48 Contiguous U. Find a similar product below or contact our experts for a recommendation of great alternatives. Call us at With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity.

The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. The more traditional ’50s neck profile is the thicker, rounder profile, emulating the neck shapes of the iconic and Les Paul Standards. Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s.

Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether.

One more step

Thanks to Mike Lewis of Fender for detailing the current numbering system. On hollowbodies, the label is usually visible through the f-hole. On other models such as solidbodies, it should be inside a control cavity. From about to watch for a white rectangular label that reads:

Identifying Gibson instruments by serial number is tricky and at sometimes impossible. The best methods of identifying them is by using a combination of the serial number, the factory order number and any features that are particular to a specific time that changes may have occurred in instrument design (i.e. logo design change, headstock volutes, etc).

In fact, it was likely that your parents were steering you in the direction of accordion lessons. The Beatles — and of course others — stopped all that. Suddenly, electric guitars were 1 on every kids Christmas list. Companies that had been manufacturing Accordions for 20 years, retooled for electric guitars. EKO was at the forefront, and within 2 years they were shipping over 10, electric guitars to USA per year.

Fender, Gibson, Gretsch, Rickenbacker… these were all too expensive for our parents to buy for us. Hence, the foreign guitar manufacturers gave us what we wanted. Tip of the iceberg! A nifty Fender Musicmaker. I took it to the local luthier and asked him to refinish it, to remove the awful sticker. The Airline Guitars were sold through Montgomery Ward. They are fun to fix up and fun to play.

How to Spot a FAKE Gibson in Seconds!